Flemish Baroque Era Painter, 1610-1690 a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonn) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter  Related Paintings of TENIERS, David the Younger :. | Twelfth Night | The Village Feast gh | Return from the Hunt r | Archduke Leopold Wilhelm of Austria in his Gallery fh | The Gallery of Archduke Leopold in Brussels at |
Related Artists:
Anna Elizabeth Klumpke
1856-1942 Anna Elizabeth Klumpke (October 28, 1856?C1942) was American portrait and genre painter born in San Francisco, California, United States. She is perhaps best known for her portraits of famous women including Rosa Bonheur and Elizabeth Cady Stanton (1889). Her father, John Gerald Klumpke, born in England or Germany , was a successful and wealthy realtor in San Francisco. Her mother was Dorothea Mattilda Tolle. Anna was the eldest of eight children, five of whom lived to maturity. Among her siblings were the astronomer Dorothea Klumpke-Roberts, the violinist Julia Klumpke, and the neurologist Augusta D??jerine-Klumpke. At age three, Anna fell and suffered a fracture of her femur. She fell again at age five and suffered osteomyelitis with purulent knee arthritis. It handicapped her, and her mother took extraordinary means to remeded the problem by taking Anna and three siblings to Berlin for treatment by Dr. Bernhard von Langenbeck. The treatments lasted 18 months, including thermal baths at Kreuznach, but unfortunately they were not successful, and she would remained hobbled all her life. While in Europe, her mother ensured that all of her children had excellent tutoring. The time away in Europe placed a strain on the relationship of her parents. When Anna was fifteen, her parents divorced. She and her siblings (now numbering five) moved with their mother to Göttingen, Germany, where they lived for a time with Mattilda's sister, who had married a German national. Anna and her sister Augusta were sent to school at Cannstatt, near Stuttgart. At age seventeen, the family moved to Clarens, near Lake Geneva in Switzerland where she spent two years in boarding school. She studied art at home for the next few years, and in October 1877, moved with her family once more to Paris, where she was later enrolled in the Julian Academy (1883-1884), under the tutelage of Tony Robert-Fleury and Jules Lefebvre. At one point she also studied under Vuillefroy. She presented her first work at the Paris Salon in 1884, while still at the Academy, and she won the grand prize for outstanding student of the year. She showed regularly at the Salon for several more years.
Donatello
Italian Early Renaissance Sculptor, 1386-1466,Italian sculptor. He was the most imaginative and versatile Florentine sculptor of the early Renaissance, famous for his rendering of human character and for his dramatic narratives. He achieved these ends by studying ancient Roman sculpture and amalgamating its ideas with an acute and sympathetic observation of everyday life. Together with Alberti, Brunelleschi, Masaccio and Uccello, Donatello created the Italian Renaissance style, which he introduced to Rome, Siena and Padua at various stages of his career. He was long-lived and prolific: between 1401 and 1461 there are 400 documentary references to him, some for nearly every year.
BIJLERT, Jan van
Dutch painter, Utrecht school (b. 1597/98, Utrecht, d. 1671, Utrecht) Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings.